centro cultural tina modotti Antoni Tàpies arte (España)
Antoni Tàpies i Puig, I marqués de Tàpies (Barcelona, 1923 – ibídem, 2012), fue un pintor, escultor y teórico del arte español.
Uno de los principales exponentes a nivel mundial del informalismo, está considerado como uno de los más destacados artistas españoles del siglo XX. La obra del artista catalán goza de un centro de estudio y conservación en la Fundación Antoni_Tàpies de Barcelona.
De formación autodidacta, Tàpies creó un estilo propio dentro del arte de vanguardia del siglo XX, en el que se combinaban la tradición y la innovación dentro de un estilo abstracto pero lleno de simbolismo, dando gran relevancia al sustrato material de la obra. Cabe destacar el marcado sentido espiritual dado por el artista a su obra, donde el soporte material trasciende su estado para significar un profundo análisis de la condición humana … siga leyendo Wikipedia
Antoni Tàpies i Puig, marchese de Tàpies (Barcellona, 1923 – Barcellona, 2012) è stato un pittore, scultore e teorico dell’arte spagnolo.
È stato uno dei più significativi esponenti di quella corrente artistica catalana più sensibile al generale rinnovamento del gusto detta informale internazionale. È considerato uno degli artisti spagnoli più importanti del XX secolo. Il lavoro dell’artista catalano gode di un centro di studio e conservazione presso la Fundació Antoni Tàpies di Barcellona … continua a leggere su Wikipedia
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opera: Antoni Tàpies, Cartes per a la Teresa, 1974
Antoni Tàpies (1923–2012) met Teresa Barba (1934–) at the end of the 1940s, when she was still a young girl.
A few years earlier, she had lost her mother and had to take care of her five siblings, while looking after her father. This gave her a maturity and humanity uncommon for her age. During the artist’s stay in Paris in 1950–51, they exchanged a regular and intense correspondence that united them through intimate links. On Tàpies return from Paris, they formalised their relationship and in October 1954 Antoni Tàpies and Teresa Barba were married in Barcelona.
The presentation of the series of drawings entitled Sèrie Teresa (Teresa’s Series, 1966), together with the series of lithographs, lithocollages and collages Cartes per a la Teresa (Letters to Teresa, 1974), pays tribute to their relationship by celebrating a private language accessible only to those who spoke it. The two sets of works display a repertoire of signs without translation for the viewer: a series of gestures that preserves the couple’s intimacy despite explicit allusions to domesticity and a shared sexuality.
Both titles refer to the methodology of serial music with which the possible combinations of the series of twelve tones is explored. Tàpies considered that music, freed from the more traditional narrative, was a purer form of expression. So he decided to apply this methodology to drawing. When in 1971 he made the series Cartes per a la Teresa (published in 1974 in the form of a portfolio), the artist plays with the double meaning of the word carta (letter and card). On the one hand, a written communication that alludes to the romantic correspondence between him and Teresa, and, on the other, in a far more esoteric sense, referring to a stack of cards used to play certain games or to perform illusionist tricks.
Antoni Tàpies arte